/LMAR=0/XLINE=10/FONT#0=METL/FONT#1=METLI/FONT#2=METS/FONT#3=MUS[HHA,LCS]/FONT#4=MUZ[HHA,LCS]/FONT#5=BASL35
␈↓ α∧␈↓␈↓ ε↔70␈↓ 
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␈↓"β␈↓ α∧␈↓dominant.*␈α⊂In␈α⊂detail,␈α⊂however,␈α⊂the␈α⊂above␈α⊂example␈α⊂␈↓↓does␈↓␈α⊂offer␈α∂us
␈↓ α∧␈↓the musical effect indicated by the analysis.

␈↓"β␈↓ α∧␈↓␈↓ αdSimilar␈α∞progressions␈α∂occur␈α∞in␈α∂the␈α∞Mazurka␈α∂No.38,␈α∞Op.59,#3,
␈↓ α∧␈↓of Chopin (measures 16-24):
␈↓"β
␈↓"β␈↓ α∧␈↓Example 66a
␈↓"β␈↓ α∧␈↓␈↓ βM␈↓¬⊂⊗⊃L[%-.02,%-2.95]:66XA.PLT[HHA,LCS]⊂⊗⊃␈↓













␈↓"β␈↓ α∧␈↓␈↓ αdAs␈α∞the␈α
progressions␈α∞under␈α∞study␈α
become␈α∞more␈α∞complex,␈α
the
␈↓ α∧␈↓following␈α⊃method␈α∩for␈α⊃clarifying␈α⊃the␈α∩relationships␈α⊃may␈α∩be␈α⊃used.
␈↓ α∧␈↓The␈α→horizontal␈α_bars␈α→connecting␈α→various␈α_parts␈α→of␈α→the␈α_Chordal
␈↓ α∧␈↓Reduction␈α
serve␈α
the␈α
purpose␈α∞of␈α
showing␈α
which␈α
of␈α∞the␈α
harmonies
␈↓ α∧␈↓may␈α∞be␈α∞directly␈α∞related␈α∞to␈α∞one␈α∞another.␈α∞ ␈↓↓On␈α∞any␈α∞given␈α∞level,␈α∞the
␈↓ α∧␈↓↓horizontal␈α≥bar␈α≥connects␈α≥chords␈α≤which␈α≥all␈α≥serve␈α≥the␈α≤same
␈↓ α∧␈↓↓temporary␈α⊃tonic␈↓.␈α⊃ It␈α⊂should␈α⊃be␈α⊃noted␈α⊂that␈α⊃sometimes␈α⊃a␈α⊃chord␈α⊂of
␈↓ α∧␈↓substitute␈α∪function␈α∪will␈α∪be␈α∀found␈α∪on␈α∪a␈α∪given␈α∪tonic's␈α∀bar␈α∪even
␈↓ α∧␈↓though␈α∀the␈α∀chord␈α∀is␈α∀at␈α∃the␈α∀same␈α∀time␈α∀more␈α∀clearly␈α∃related␈α∀to
␈↓ α∧␈↓another␈α⊂tonic.␈α⊂ These␈α⊂Chordal␈α⊃Reductions␈α⊂are␈α⊂not␈α⊂to␈α⊃be␈α⊂confused

␈↓"β␈↓ α∧␈↓__________
␈↓"β␈↓ α∧␈↓*␈α∂Many␈α∂books␈α∂on␈α∂harmony␈α∞would␈α∂call␈α∂this␈α∂D7␈α∂chord␈α∂simply␈α∞II␈↓βS3␈↓.
␈↓"␈↓ α∧␈↓This␈α∩seems␈α∪like␈α∩an␈α∩oversimplification.␈α∪ A␈α∩dividing␈α∩line␈α∪must␈α∩be
␈↓"␈↓ α∧␈↓drawn␈α
somewhere␈α
in␈α∞these␈α
matters;␈α
in␈α∞this␈α
book␈α
the␈α∞sharped␈α
4th
␈↓"␈↓ α∧␈↓and␈α5th␈αdegrees␈αof␈αthe␈α
scale␈αwill␈αonly␈αbe␈αadmitted␈α
as␈α"functional"
␈↓"␈↓ α∧␈↓when␈α_they␈α_are␈α_part␈α_of␈α_augmented␈α_sixth␈α_or␈α_augmented␈α↔fifth
␈↓"␈↓ α∧␈↓chords.
␈↓ α∧␈↓␈↓ ε↔71␈↓ 
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␈↓"β␈↓ α∧␈↓with␈α
the␈α
diagrams␈α
outlining␈αTonic␈α
Guide␈α
Tones.␈α
 Tonic␈αGuide␈α
Tones
␈↓ α∧␈↓will␈α∂be␈α∂used␈α∂solely␈α∂as␈α∂a␈α∂means␈α∂of␈α∂clarifying␈α⊂relationships␈α∂among
␈↓ α∧␈↓the ␈↓↓tonics␈↓ involved in any progression.  (See page 55.)